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EoF ProView

Hay un espacio entre la investigación científica y la divulgación. La EoF ProView quiere ocupar ese espacio. A través de la publicación de artículos, la EoF ProView pretende divulgar los conocimientos relacionados con The Economy of Francesco. Como su nombre indica, se centra en la investigación de hoy que tiene una mirada hacia el futuro.

Laudato Si desde el principio hasta ahora. The Economy of Francesco

mayo 26th, 2022|Categories: Contemporary Challenges, EOF ProView ES|

El Papa Francisco nos recuerda el cuidado de nuestra Madre Tierra como el deber de custodios de la creación. El recorrido entre la encíclica de Laudato Si y The Economy of Francesco tuvo enormes cambios, y una vez más nos cuestiona que el grito de la tierra es también el grito de los pobres.

LE SOCIETA’ BENEFIT: VERSO UN NUOVO (ED EMERGENTE) PARADIGMA IMPRENDITORIALE

mayo 18th, 2022|Categories: Contemporary Challenges, EOF ProView ES|

Pressoché triplicate rispetto a qualche anno or sono, la diffusione capillare e costante delle società benefit nel nostro Paese pone inedite ed importanti sfide (ambientali, sociali, culturali e normative) per quelle società che decidono fattivamente di coniugare al tradizionale obiettivo di profitto, una o più finalità di beneficio comune, e cioè operando in maniera responsabile, sostenibile e trasparente nei confronti di persone, comunità, territori e ambiente.

A new paradigm to rethink diversities

mayo 17th, 2022|Categories: EOF ProView ES, Miscellaneous|

Generally, when human rights and diversities are related, the term inclusion is the one that appears as a way of shortening distances and generating policies that legitimize these “Others”. This article presents a new paradigm to address the issue of disability, a specific field of study of the author, which can be applied to other socially vulnerable groups. 

Bartleby, the Scrivener (a Story of Wall Street)

mayo 11th, 2022|Categories: Books Proview, EOF ProView ES|

One cannot possibly trace everything back to an end or an ending. Some characters and stories escape the cages in which we try to trap them. We aim at enclosing them inside a circle, but they beg us to draw them in lines with an unclear end and perhaps an even unclear beginning. Their authors make the same request. Those who understand writing know that the rule is indeed the circle, but they are even more aware that the authentic kernel of the story lies in the line.

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